Arts Capture specialises in high-resolution photography and video services

Services
Arts Capture provides fine-art reproduction photography services for galleries, institutions, auctions, private collections, and artists. Founded by visual artists with almost 30 years of experience in still-life commercial photography, Arts Capture possesses an expert understanding of how art objects must be documented and presented. Our commitment to precision and aesthetic excellence ensures that each piece is captured in its truest form, showcasing its beauty and intricacies to the fullest, whether it be paintings, sculptures, rare books, antiques, negatives, valued documents, or installation views. Additionally, we create video presentations of art objects and other precious items such as jewellery, antiques, and collectibles.

We use the Linhof M679 CS camera system with a Phase One digital back and the Leica SL2 cameras, integrated with Broncolor, Profoto, and Nanlite lighting systems, calibrated monitors, and Apple computers. In certain cases, we use the 8x10 inch Horseman analogue camera system.

Below are some examples of shoots of various objects (paintings, books, high jewellery, glass objects, and metal objects) along with a brief description of the technology and approach we use in our work.
Services
Arts Capture provides fine-art reproduction photography services for galleries, institutions, auctions, private collections, and artists. Founded by visual artists with almost 30 years of experience in still-life commercial photography, Arts Capture possesses an expert understanding of how art objects must be documented and presented. Our commitment to precision and aesthetic excellence ensures that each piece is captured in its truest form, showcasing its beauty and intricacies to the fullest, whether it be paintings, sculptures, rare books, antiques, negatives, valued documents, or installation views. Additionally, we create video presentations of art objects and other precious items such as jewellery, antiques, and collectibles.

We use the Linhof M679 CS camera system with a Phase One digital back and the Leica SL2 cameras, integrated with Broncolor, Profoto, and Nanlite lighting systems, calibrated monitors, and Apple computers. In certain cases, we use the 8x10 inch Horseman analogue camera system.

Below are some examples of shoots of various objects (paintings, books, high jewellery, glass objects, and metal objects) along with a brief description of the technology and approach we use in our work.
Multi-Shot Capture Techniques
Method 1
The object is "segmented" and shot in several parts (2 or more shots) using the Linhof M679 CS camera with a Phase One digital back (60 MP). In post-production, all the frames are combined into one image.
This technique is indispensable when shooting large objects in small spaces (such as gallery booths at art fairs or office rooms) or when objects are too tall or wide. This technique is also applied to shots of exhibition spaces, as it allows for the reduction of perspective distortions and preserves the proportions of art objects, maintaining a view similar to what we see with our eyes.
Paintings of Richard Butler
Method 2
Multi-shot is a high-resolution photography technology that involves moving the camera sensor with great precision, enabling the camera to capture more colour and data information than single-shot digital photography. For this technology, we use the Leica SL2 camera. In multi-shot photography, up to 8 single frames are captured with slight shifts (less than a pixel width) of the sensor between each image. These single images are then combined into one with a very high resolution (187 MP), and a normal-sized DNG image (47 MP) is also saved.
The benefits of this method include incredibly accurate colour data for each pixel and no moiré interference, all while maintaining a resolution of 100 MP. We recommend this technology when clients need images of maximum size and resolution or for macro shots requiring maximum detail of the object.
Multi-Shot Capture Techniques
Method 1
The object is "segmented" and shot in several parts (2 or more shots) using the Linhof M679 CS camera with a Phase One digital back (60 MP). In post-production, all the frames are combined into one image.
This technique is indispensable when shooting large objects in small spaces (such as gallery booths at art fairs or office rooms) or when objects are too tall or wide. This technique is also applied to shots of exhibition spaces, as it allows for the reduction of perspective distortions and preserves the proportions of art objects, maintaining a view similar to what we see with our eyes.
Paintings of Richard Butler
Method 2
Multi-shot is a high-resolution photography technology that involves moving the camera sensor with great precision, enabling the camera to capture more colour and data information than single-shot digital photography. For this technology, we use the Leica SL2 camera. In multi-shot photography, up to 8 single frames are captured with slight shifts (less than a pixel width) of the sensor between each image. These single images are then combined into one with a very high resolution (187 MP), and a normal-sized DNG image (47 MP) is also saved.
The benefits of this method include incredibly accurate colour data for each pixel and no moiré interference, all while maintaining a resolution of 100 MP. We recommend this technology when clients need images of maximum size and resolution or for macro shots requiring maximum detail of the object.
Photo Shooting at Art Fairs
Photo Shooting at Art Fairs
Shooting a gallery’s booth at an art fair is always a complex and sometimes nerve-wracking process. Before the public opening, it is necessary to capture high-quality catalogue shots of the exposed art in minimal time and under given lighting conditions, all while fair personnel are constantly moving around. With proper organisation of the photo shoot and meticulous post-production, you will always achieve excellent results.
During an art fair, ensuring high-quality reproduction of art objects is very challenging. Unbalanced light sources on and around the booth, limited space, and complex booth configurations always constrain the photographer's work. We do not typically encourage the shooting of art objects at art fairs. However, sometimes, as in this case, art objects had been delivered directly from the artist's studio, and photographs of these objects were needed for publication in media and catalogues. An additional challenge was that the art objects were under glass and dynamic (constantly rotating and transforming).
Artworks of Manuel Mérida
Artworks of Manuel Mérida
Case Studies
Jewellery
Shooting jewellery always requires high precision, accuracy, advanced photography skills, and perfect knowledge of lighting techniques. It necessitates the use of more sophisticated and complex equipment, more preparation time, and more time in post-production compared to shooting reproductions of paintings. Video shooting of jewellery is even more complex than photography. And we love challenging tasks.
Jewellery
Shooting jewellery always requires high precision, accuracy, advanced photography skills, and perfect knowledge of lighting techniques. It necessitates the use of more sophisticated and complex equipment, more preparation time, and more time in post-production compared to shooting reproductions of paintings. Video shooting of jewellery is even more complex than photography. And we love challenging tasks.
Special Photo Shooting
With nearly 30 years of experience working with a wide variety of objects, we can photograph items as small as a coin for you. For more information about our work, visit the FAQ page or write to us.
Special Photo Shooting
With nearly 30 years of experience working with a wide variety of objects, we can photograph items as small as a coin for you. For more information about our work, visit the FAQ page or write to us.
Made on
Tilda